Samuel
Palmer
(Newington,
south London 1805 – 1881 Redhill, near
Reigate, Surrey)
Opening
the Fold or Early Morning

Opening the Fold or Early
Morning
Alexander 13 vi/viii, Lister 13 viii/x
151 x 214 (bevelled plate); 117 x 176 mm; 215 x 319 mm (sheet)
Etching,
1880. The plate signed. With two lines of verse
(lines 25 & 26)
engraved in the lower plate border by A H Palmer for the small paper edition
of An English Version of the Eclogues of Virgil by Samuel Palmer, with
Illustrations by the Author, published for
him by Seeley & Company,
1883, the first lettered edition (undescribed by Alexander and Lister) printed
on cream laid paper (cf the wove paper of the following four items). Discoloration
at the sheet edges. A small ink blot in the margin of the sheet, top left.
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Additional
Information about the Print
The
illustrations to his English translation of
Virgil’s Eclogues.
In
1872 Palmer sent his own English verse translation
of Virgil’s Eclogues (at
which he had worked for years) to Hamerton, who advised on publishing only if
Palmer accompanied the text with etchings. Palmer worked on designs for these
in drawings and watercolours throughout the last decade of his life.
Only Opening
the Fold was finished and independently
published (by the Fine Art Society in 1880) before
he died. Palmer had begun work on another four
uniformly smaller plates. A H Palmer completed
these, and with the addition of heliogravure
facsimiles of some of the other preliminary drawings,
had his father’s illustrated
translation published by Seeley & Company in
1883 and 1884. An unlettered folio edition was
issued, preliminary to a lettered quarto version
on laid paper, both in 1883. In 1884 Seeley published
the standard lettered quarto edition printed on
wove paper.
The
five Eclogue plates would be among those
that A H Palmer sent to Griggs in 1924. Griggs
would remove the verses. He printed some proofs
in Campden in 1924, stamped with the Dover’s
House Press mark (a few of Opening the Fold, 20 of The
Homeward Star, 8 of The Cypress Grove,
fewer of The Sepulchre and Moeris & Galatea).
Each plate subsequently had the small triangle
of ‘The
Trio’ engraved in the lower border, though
only Opening the Fold was published - in
the 1926 Trio printing, in an edition of 50.
Opening the Fold illustrates the Eighth Eclogue (lines
23-8) which Palmer translated as
Scarce
with her rosy fingers had the dawn
From glimmering heaven the vale of night withdrawn,
And folded flocks were loose to browse anew
O’er mountain thyme or trefoil wet with dew,
When leaning sad an olive stem beside,
These, his last numbers, hapless Damon plied. |
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