Samuel
Palmer
(Newington,
south London 1805 – 1881 Redhill, near
Reigate, Surrey)
Moeris and Galatea

Moeris and Galatea
Alexander 17 ii/iv, Lister 17 ii/iv
130 x 188 mm (plate); 100 x 151 mm (image); 213 x 313 mm (sheet)
Etching,
begun by Samuel Palmer and completed by Herbert.
With three lines of verse in the lower plate border,
as issued for the 1884 small paper edition of An
English Version of the Eclogues of Virgil by Samuel Palmer, with Illustrations
by the Author. On cream wove paper, with
part of a ‘W King Alton Mill’ watermark. The
full sheet as issued, the right edge gilt and a little discoloured. A couple
of small paper impurities.
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Additional
Information about the Print
The
illustrations to his English translation of
Virgil’s Eclogues.
In
1872 Palmer sent his own English verse translation
of Virgil’s Eclogues (at
which he had worked for years) to Hamerton, who advised on publishing only if
Palmer accompanied the text with etchings. Palmer worked on designs for these
in drawings and watercolours throughout the last decade of his life.
Only Opening
the Fold was finished and independently
published (by the Fine Art Society in 1880) before
he died. Palmer had begun work on another four
uniformly smaller plates. A H Palmer completed
these, and with the addition of heliogravure
facsimiles of some of the other preliminary drawings,
had his father’s illustrated
translation published by Seeley & Company in
1883 and 1884. An unlettered folio edition was
issued, preliminary to a lettered quarto version
on laid paper, both in 1883. In 1884 Seeley published
the standard lettered quarto edition printed on
wove paper.
The
five Eclogue plates
would be among those that A H Palmer sent to Griggs
in 1924. Griggs would remove the verses. He printed
some proofs in Campden in 1924, stamped with the
Dover’s House Press
mark (a few of Opening the Fold, 20 of The
Homeward Star, 8 of The Cypress Grove,
fewer of The Sepulchre and Moeris & Galatea).
Each plate subsequently had the small triangle
of ‘The
Trio’ engraved in the lower border, though
only Opening the Fold was published - in
the 1926 Trio printing, in an edition of 50.
Moeris
and Galatea illustrates the Ninth
Eclogue and Palmer's verse translation
reads
The cream-bowl set and in our cave recline,
(Its brows with poplar shaded, watch the
West).
And timely, with the sun, together
rest.
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