William
Walcot Catalogue Raisonné This listing is compiled from information garnered from
both the manuscript list kept
by Walcot’s principal publisher H.C.
Dickins 1913-24 (who have kindly allowed its
use),
and the Chronological List of Etchings (1913-19)
in the Dickins’ monograph issued
1919, as well as to certain illustrations in
that volume that are not included in either
one or both
of the Dickins’ lists of published etchings.
(See BIBLIOGRAPHY at the end)
These have been further cross-referenced to
Walcot’s historically exhibited
etchings at
the Fine Art Society (who published some of
his pre -1913 plates as well as his plates
in 1927 - 1929)
abbreviated to FAS; James
Connell & Son; the Beaux Arts
Gallery; the R.A.; the R.E.; (see Exhibitions list
at the end
of the catalogue)
Also to my
own back catalogues
as well as those
of colleagues in the trade; and to entries
in the annual volumes of Fine
Prints of the Year,
edited by Salaman, and to his book on WW in
the ‘Masters of Etching’ series.
(see Bibliography at the
end of the catalogue). I
am also grateful for the oral input of Robin
Barnes of the Chadwyck Gallery.
It
is uncertain whether editions of some of the
pre-1913 prints were published by the FAS
or if only artist’s proofs were printed
for inclusion in the exhibitions. These early
prints are rare,
which suggests full editions were not printed.
Certainly some of the etchings published by
Dickins in 1913
had already been exhibited in earlier years
at the Fine Art Society, so that dates of publication
are not
necessarily an exact guide to the date of execution.
Measurements
are given where known, but there are certainly
inaccuracies. (Of the plates
issued 1913 -1924 Dickins recorded the dimensions
up to and including 1919, but stopped in
1920.) Earlier
sources supply dimensions in inches,
while more recent catalogues use millimetres. Both
systems appear
here arbitrarily mixed. I have not made
conversions.
Measurements are principally recorded as height
x width,
but in some cases these may have been reversed,
width then preceding height.
The
Dickins manuscript generally lists the price
at issue, in guineas (gns.). One
guinea was 21 old shillings. Using
the ‘Average
Earnings’ index conversion rate
as calculated
for 2006, one guinea in
1913 would currently be the equivalent of
about £160;
in 1921 about £200;
and in 1929 (year of the Wall Street
Crash) still about £165.
Please
also see (in the Exhibitions section)
my ongoing William Walcot Web Exhibition,
with the current selection of Walcot
etchings available for purchase I
hope eventually to show images
for all the titles in this e-catalogue
raisonné.
Bibliography
The
monograph published by H. C. Dickins, London & New York & Technical Journals
Ltd. London : Architectural Watercolours & Etchings
of W. Walcot. 1919, which includes a “Chronological
List of Etchings”
The Dickins manuscript listing of plates published
by them 1913-24
Malcolm
Salaman : William Walcot published by ‘The Studio’, 1927, for their “Masters
of Etchings” series.
Fine
Prints of the Year, 1923-1930’s,
edited by Malcolm Salaman
Fine Art Society exhibition catalogues 1908-1928
James
Connell & Sons one-man
exhibition catalogue 1918
Beaux Arts Gallery exhibition catalogues 1925-29
William Weston : William
Walcot. Cities. London, New York, Paris,
Venice etc. Exhibition catalogue
1979
The
Building Centre with Gallery Lingard : William
Walcot Artist-Architect. An Exhibition of
his Life and Work and William
Walcot Magical impressions. An exhibition
of oils, watercolours, drawings & etchings. Exhibition catalogues, 1986 and 1990
List
of Lifetime Exhibitions
Walcot
exhibited widely between 1908 and 1940, showing
principally at:
- Royal
Academy (40
items from 1908-1940) (See
full listing of etchings)
- Fine
Arts Society, New Bond St. (319 items
from 1908-1929) (See full
listing)
- Royal
Society of British Arts (25 items from
1913)
- Doig,
Wilson & Wheatley,
Edinburgh one-man show in 1913
- Glasgow
Institute of the Fine Arts, annual Salons
(23 items)
- Walker
Art Gallery, Liverpool, annual Salons (20
items)
- Royal
Society of Painter-Etchers (R.E.) (17
items 1918 – 1931) (See
full listing)
- James
Connell & Sons, Old
Bond St (68
items in 1918) (See full
listing)
- Beaux
Arts Gallery, Bruton Pl. London W1 (182
items from 1925-1937) (See full
listing)
He
also showed at:
- The
Royal Scottish Academy (5 items)
- Royal
Society of Scottish Painters in Water Colours
(3 items)
- Royal Hibernian Academy (2
items)
- Manchester City Art Gallery (2
items)
- Walkers
Gallery, London (3
items)
- Chenil & New
Chenil Galleries, Chelsea (5 items)
- Collectors Gallery Two-man show (together
with H M Atkins) 1921.
Fine
Arts Society
One-Man
Shows
1908 (Jan)
“WATERCOLOURS
OF LONDON & VENICE by WW”
Also included one etching, The Library of St.
Mark’s, Venice
1909 (Feb)
“WATERCOLOURS
OF LONDON & ROME By WW”
Also
included eight etchings:
- A
corner of Nôtre
Dame
- Victor
Emanuel’s Monument, Rome
- St.
Paul’s
from the South
- The
Pantheon, Rome
- St.
Paul’s London,
from the North-West
- Westminster
Abbey
- Library
of St. Marks
- St.
Peter’s Rome, Sunday
Morning
1910 (March)
“WATERCOLOURS
OF LONDON, VENICE & ROME by WW”
(The back page of the catalogue announces an “exhibition
of original etchings now on view in the lower
gallery”, which presumably included Walcot
etchings ?)
1912 (Feb)
“WATERCOLOURS
OF ANCIENT ROME, LONDON & OXFORD by WW”
Also included two etchings:
- The
Giudecca, Venice
- La
Bacchante et le jeune Faune
1914 (May)
“ETCHINGS
BY WILLIAM WALCOT”
The catalogue lists 22 etchings:
- The
Restoration of the Bath of Caracalla-the
Tepidarium
- London
Bridge
- Café de
la Paix
- A
Court of Justice
- A
Corner of the Pantheon
- The
House of a Patrician – The Atrium
- The
Library of St. Mark’s
- Antony
in Egypt
- Queen’s
College, Oxford
- Monument
to Victor Emanuel, Rome
- St.
Paul’s
from the South
- A
Tragedy of Sophocles
- The
Giudecca, No.1
- The
Trojan Horse
- A
Greek Lady BC400
- At
the House of a Patrician
- The
Giudecca, No.2
- Palazzo
Pessaro
- The
Thames from Waterloo Bridge
- Remains
of the Forum of Minerva
- St.
Paul’s
from the West
- Piccadilly
Circus
1919
“PAINTINGS & WATERCOLOURS
BY WILIAM WALCOT”
A note at the end of the catalogue announces: “A
collection of Mr. Walcot’s Etchings will
be shown on application”
1924 (June)
“ETCHINGS & WATERCOLOURS
BY WILLIAM WALCOT”
Does not specify the medium of 64 exhibits
but the following 18 are recognisably etchings:
- L’Arc
de Triomphe, Paris
- Trafalgar
Square
- House
of Sallust
- The
Mersey
- Durham
Cathedral
- The
Baptistery, Florence
- St.
Mark’s,
Venice
- The
Thames
- Charing
Cross
- Old
Chelsea Church
- Villa
Quintilii
- Liverpool
- Fifth
Avenue, New York
- Piccadilly
- Library
of St. Mark’s
- Lower
Broadway, New York
- St.
Mary’s-le-Strand
- Entry
of a Consul
1928
“IMPRESSIONS
OF EGYPT. PICTURES & ETCHINGS BY WILLIAM
WALCOT”
Again the medium of individual titles is not
specified but three etchings are recognisable:
- The
Caravan
- Kom
Omb
- Caesar
in Egypt
Group
Exhibitions
Group shows
at the Fine Art Society in which Walcot’s
etchings were included:
1908 (July)
Exhibition
of “ ORIGINAL ETCHINGS BY A GROUP OF
ETCHERS ”
Included 7 etchings by Walcot:
- The
Temple of Neptune, Rome
- A
Corner of Nôtre
Dame, Paris
- The
Library of St. Mark’s,
Venice
- The
Temple of Minerva, Rome
- St.
Paul’s,
London
- St.
Peter’s, Sunday Morning – Rome
- Victor
Emanuel Monument, Rome
1922 (July-Sep)
“SUMMER
EXHIBITION OF ORIGINAL ETCHINGS”
Included 9 etchings by Walcot:
- Arc
St. Carlo
- Forth
Bridge
- Venice
- Newcastle
- Villa
Quintilii
- Wooden
Temple
- St.
Peter’s, Rome
- House
of Sallust
- Venice,
St. Mark’s
1922 (Dec)
“ORIGINAL
ETCHINGS BY FIFTY ARTISTS OF REPUTE”
Included three by Walcot:
- Arc
St. Carlo
- Forth
Bridge
- Venice
1923 (May)
“RARE & ORIGINAL
ETCHINGS BY BONE, BRANGWYN, CAMERON, STRANG,
WALCOT, WHISTLER, ZORN etc”
Included 9 etchings by Walcot:
- Charing
Cross
- Arc
St. Carlo, Naples
- Venice
- Romans
in the Forum
- Monument
to Victor Emanuel
- Forth
BridgeNewcastle
- St.
Peter’s, Rome
- York
Minster
1923 (Nov)
“ORIGINAL
ETCHINGS BY LEADING ARTISTS” (A selection
from the Society’s portfolios)
Included 9 etchings by Walcot:
- Durham
Cathedral
- Forth
Bridge
- Liverpool
- The
Fountain
- Villa
Quintilii
- St.
Peter’s, Rome
- York
Cathedral
- Sacred
Fair
- Hadrian
entering Salonika
1924 (March)
“SPRING
EXHIBITION OF ORIGINAL ETCHINGS BY LEADING
”
Included three by Walcot:
- Whitehall
- Trafalgar
Square
- The
Strand
1927 (Dec)
Exhibition
of “ ETCHINGS BY LEADING ARTISTS ”
In an advert at the front of the catalogue
Walcot is listed among the artists whose etchings
the FAS publish.
Prices were noted for the first time and generally
indicate the relative sizes of the respective
plates. The exhibition Included 15 Walcots:
- Villa
Quintilii, 8
gns
- Basilica
Maxentius, 12
gns
- Back
of Solomon’s Palace, 8
gns
- The
Wooden Temple, 8
gns
- Hospital
of St. Mark’s, Venice, 6
gns
- Piazza
San Marco, 6
gns
- St.
Mary’s-le-Strand, 4
gns
- Charing
Cross, 4
gns
- New
York from Brooklyn Bridge
- The
Circus 1925/26, 5
gns
- Caesar
in Egypt, 8
gns
- Westminster,
10 gns
- L’Arc
de Triomphe, Paris, 15
gns
- St.
Peter’s, Rome, £21
- Rheims
Cathedral, 15
gns
1928 (Oct)
“RECENT
ETCHINGS”
Included 5 etchings by Walcot:
- Kom
Ombo
- Antony’s
Palace
- The
Caravan
- St.
Peter’s, Rome
- A
Vision of an Egyptian Palace
James
Connell & Sons
One-Man
Show
April
1918
At
the London gallery.
(The same year James Connell & Sons at
their Scottish gallery published Walcot’s
etching Glasgow- Municipal Buildings – which
appears in the Dickins list):
“PAINTINGS,
WATER-COLOURS & ETCHINGS BY WILLIAM WALCOT”
Included a group of etchings:
- Tufton
Street, Westminster
- Café de
la Paix, Paris
- La
Madeleine, Paris
- La
Bacchante et le Jeune Faune
- The
Temple of Baal
- The
Raising of the Cross
- The
Rotunda of Palladio (Vicenza)
- Roman
Patricians in the Forum
- Covent
Garden
- Pegasus
- Parliament
Square, Edinburgh
- San
Marco, Venice
- Municipal
Buildings, Glasgow
- Hadrian
visiting Salonica – the
ancient Therma
- A
Performance at the Colisseum
- West
End, Edinburgh
- Holyrood
Palace, Edinburgh
- Edinburgh
University
- Regent
Street
- The
Giudecca No1
- A
Greek Lady
- Boatyard,
Venice
- Babylon
- A
Bacchante
- Piccadilly
Circus
- The
Giudecca No2
- The
Sea
- The
Atrium
- Arc
de Triomphe
- CaracallaHouse
of a Patrician
- A
Tragedy by Sophocles performed before
the Emperor Hadrian
- Antony
in Egypt No1 (A
visit to Cleopatra)
- The
Forum
- The
Inimitable Lovers
- The
Forth Bridge
- A
Court of Justice
- Sacred
Fair
- An
Etruscan Temple – Jupiter
Capitolinus
Beaux
Arts Gallery
One-Man
Show
1925 (Dec)
“RECENT
WATERCOLOURS & ETCHINGS BY WW”
Listed the following large plates individually,
but did not so list small plates:
- The
Majesty of the Church
- Chiesa
del Gesu
- Temple
at Edfou
- The
Entry of a Consul
- In
the Days of Justinian
- Carthage
- Sack
of a Sicilian Temple
- “ Group
of small Etchings ”
- The
Elevation of the Cross
- Justinian
weds Theodora
- Set
of illustrations to Salammbô (Edition
of 200 – sold out)
Walcot
had two further one-man shows at the Beaux
Arts but neither contained etchings:
1924 (Dec)
“NEW
WATERCOLOURS BY WILLIAM WALCOT OF LONDON”
1937 (March)
“LONDON
TODAY. Gouaches by William Walcot”
Group
Exhibitions
Group shows at
the Beaux Arts which included Walcot etchings:
1926 (Oct)
Exhibition
of “ MODERN ETCHINGS ”
Included 10 etchings by WW:
- Caesar
in Egypt
- Piccadilly
in Transition
- Whitehall
- Segovia
Bridge, Madrid
- Burgos
Cathedral
- Trafalgar
Square
- Egyptian
Palace
- Villa
Quintilii
- Lower
Broadway
- Durham
Cathedral
1929 (April-May)
“ORIGINAL ENGRAVINGS,
ETCHINGS & DRYPOINTS BY YOUNGER CONTEMPORARY
GRAVERS ”
Included 25 etchings by Walcot:
- Egyptian
Palace
- Romans
at Carthage
- Caesar
in Egypt
- Whitehall
- Lower
Broadway, New York
- Battery
Point, New York
- Wooden
Temple of Jupiter
- Charles
I Statue, Charing Cross
- The
Port of Liverpool
- Municipal
Buildings, Glasgow
- Parliament
Square, Edinburgh
- Edinburgh
University
- York
Minster
- Durham
Cathedral
- King
Charles in Whitehall
- St.
Peter’s,
Rome
- Entry
of a Consul
- Sicilian
Temple
- Babylon
- Temple
of Romulus
- Venice – XVII
th Century
- Days
of Justinian
- Tepidarium
- Basilica
Maxentius
- St.
John’s, Oxford
Royal
Academy
As
the medium is only specified after 1925 the
only indication for earlier years is from
the titles, though these could equally be
watercolours. Dickins saw etchings exhibited
in 1913 and the three exhibits that year
are certainly all recognisably etching titles.
Where there is doubt the title is given in
brackets.
- 1908
The
Library, St. Mark’s (Cavendish Square)
- 1909
Westminster
Abbey
- 1910
St.
Paul’s
- 1911
The
Monument of Victor Emanuel Rome
- 1912
The
Giudecca, Venice; La Bacchante et
le jeune Faune
- 1913
Palazzo
Pessaro; A Tragedy by Sophocles in the days
of Hadrian;
At the House of a Patrician
- 1914
The
Trojan Horse – Virgil’s Aeneid,II
- 1915
Restoration
of the Baths of Caracalla, Rome
- 1916
A
Performance at the Colosseum in the days
of ancient Rome (Where the Czars are crowned:
Uspensky)
- 1917
Patricians
arriving in the Forum, Rome; The
arch of Triumph; The Temple of Baal,
Mesopotamia
- 1918
(Trinity
College, Cambridge)
- 1919
Babylon;
A restoration of the Frigidarium, Baths of
Caracalla, Rome
- 1923
(Entrance
to Christchurch, Oxford)
- 1925
The
marriage of Justinian & Theodora
- 1926
The
Basilica of Maxentius; Interior of St. Peter’s,
Rome
- 1927
St.
John’s College, Oxford; Carthage under
the Romans
- 1930
The
Temple of Romulus; Temple of Edfou
Royal
Society of Painter-Etchers
Exhibits
included:
- 1918
The
Sea;
Hadrian visiting Thernia (Salonica);
Tufton Street, Westminster;
The Temple;
The Roman Forum
- 1920
The
Stadium, Rome;
The Propylaea
- 1922
Antony
in Egypt
- 1923
York
- 1923
Entry
of a Consul
- 1927
Venice
in the 18th Century;
Basilica of Maxentius
- 1931
Piccadilly
Circus, London;
National Gallery, London;
The Arc de Triomph (sic)
Paris; Marble Arch, London
Return to the top ^
|
|
Raisonné
The
listing below is an ongoing attempt towards a full
catalogue raisonné of William
Walcot's work between 1907 and 1938. Each entry begins
with my own unique reference number (cited within
the website as EH-L followed by a number) followed
by the H.C. Dickins cross reference (where attributable)
the title of the work, its size (inches shown
black, millimetres shown blue,
where known), the edition, and finally, the price
at
original issue.
Asterisked
(*) titles are illustrated in the Walcot
Exhibition on this website. Prices are in Guineas
unless the shilling (/) sign is shown, in which case,
Pounds, Shillings and Pence.
EH-L |
Dickins |
Title |
|
Size |
Edn |
Price |
1907 |
|
|
|
|
|
|
1 |
|
Cathedral
Doorway |
|
327
x 323 |
|
|
2 |
|
The
Library of St. Mark’s, Venice |
|
|
|
|
1908 |
|
|
|
|
|
|
3 |
|
Piazza
di Pietra (Palazzo della Camera di Commercio)(c.1908) |
|
498
x 446 |
|
|
4 |
|
The
Temple of Neptune, Rome |
|
|
|
|
5 |
|
The
Remains of the Forum of Minerva (c.1908-10) Also
called The Temple of Minerva? (In the Chronological list as
published 1919; not in the Manuscript list) |
|
9½ x
11½ |
|
|
6 |
|
(West
Doorway)
Westminster Abbey |
|
500
x 448 |
|
|
7 |
|
A
Corner of St. Paul’s |
|
487
x 328 |
|
|
8 |
|
St.
Paul’s London
from the North-West |
|
|
|
|
9 |
|
A
Corner of Nôtre Dame |
|
|
|
|
10 |
|
Monument
toVictor Emanuel, Rome (under scaffolding).
(In 1908 the plate measured 403 x 445 mm) (In
the Chronological list as published 1913,
when the plate is given as 343 x 362 mm. Image
remains identical. Not in the Manuscript list.) |
|
403
x 445
or 343
x 362 |
|
|
11 |
|
St.
Peter’s, Sunday Morning - Rome |
|
|
|
|
1912 |
|
|
|
|
|
|
12 |
|
La
Bacchante et le jeune Faune
(Illustrated
in the Monograph. In the Chronological
list as issued
1919)
(Not included in the Manuscript list.) |
|
8
x 8½ |
|
|
1913 |
|
|
|
|
|
|
14 |
1 |
A
Tragedy of Sophocles performed before the Emperor
Hadrian
(Walcot’s R.E. Diploma print) |
|
17½ x
18½ |
68 |
8 |
15 |
2 |
At
the House of a Patrician
(Walcot had 10 printed in
brown) |
|
16¼ x
17¾ |
65 |
6 |
16 |
3 |
A
Court of Justice |
|
25½ x
20 |
50 |
8 |
17 |
4 |
Anthony
in Egypt No1 (A Visit to Cleopatra) |
|
21¾ x
18¼ |
50 |
8 |
18 |
5 |
A
Bacchante (1st state?) (Nominal
edition of 50 sold out, plate aquatinted in 1919?) |
|
10
x 5½ |
50 |
2 |
19 |
6 |
Greek
Lady * (1st
state) |
|
8
x 4¾ |
17 |
2 |
|
|
Greek
Lady (2nd state – face altered?) |
|
8
x 4¾ |
|
3 |
20 |
7 |
St.
Paul’s from the South
(etched by 1909) |
|
17¾ x
16½ |
|
8 |
21 |
8 |
Queen’s
College, Oxford * |
|
11¾ x
15¼ |
60 |
11 |
22 |
9 |
Palazzo
Pessaro, Venice * |
|
17¾ x
18¾ |
|
8 |
23 |
10 |
Piccadilly
Circus
(1st state, the right side
of the plate particularly unfinished) |
|
11½ x
7½ |
75 |
1 |
|
|
Piccadilly
Circus (2nd state) |
|
|
|
2 |
24 |
11 |
London
Bridge |
|
3¾ x
5¾ |
125 |
1 |
25 |
12 |
Thames
from Waterloo Bridge |
|
3½ x
6¾ |
100 |
1 |
26 |
13 |
Giudecca
No.1, Venice
(etched
by 1912) |
|
4¾ x
7½ |
100 |
2 |
27 |
14 |
Giudecca
No.1, Venice |
|
4½ x
7¾ |
115 |
2 |
28 |
24 |
Café de
la Paix * |
|
6¼ x
8½ |
72 |
3 |
29 |
|
The
Farm at Hougomont,
January 17, 1815 |
|
14
x 22 |
|
|
1914 |
|
|
|
|
|
|
30 |
15 |
Corner
of the Pantheon
(probably etched by 1909) |
|
15¾ x
13¼ |
|
4 |
31 |
16 |
Hospital
of St. Marks |
|
15½ x
15½ |
|
4 |
32 |
17 |
Elevation
of the Cross (Identical to Calvary in the Chronological
list) |
|
5¼ x
7 |
|
3 |
33 |
18 |
The
Boatyard, Venice * |
|
4½ x
7 |
125 |
2 |
34 |
19 |
St
Paul’s North West Corner * |
|
6¾ x
8¼ |
150 |
3 |
35 |
20 |
The
Trojan Horse
(35,
but only 29 printed) |
|
25
x 32½ |
29 |
15 |
36 |
|
Basilica
of Constantine
(In the Chronological
list, ex Manuscript list) |
|
17¼ x
13¾ |
|
|
1915 |
|
|
|
|
|
|
37 |
21 |
The
Thames |
|
2½ x
5¼ |
58 |
31/6 |
38 |
22 |
The
Rotunda at Vincenza |
|
3¼ x
3¼ |
56 |
31/6 |
39 |
23 |
St.
Mary-le-Strand
(dated to 1913 Manuscript list, and 1915 Chronological list) |
|
5¼ x
7 |
72
or 140 |
3 |
40 |
25 |
Doorway
to the Doge's Palace |
|
21¼ x
14 |
19 |
6 |
41 |
26 |
Covent
Garden * |
|
3
x 4 |
154 |
2 |
42 |
27 |
The
Sacred Fair * |
|
6¼ x
8¾ |
51 |
4 |
43 |
28 |
Tufton
Street, Westminster (Commissioned by the Architectural
Association and given to members serving with
the Forces, Christmas 1915) |
|
5
x 3½ |
|
|
44 |
29 |
The
Baths of Caracalla –
the Tepidarium (cf
No 81) |
|
22½ x
17½ |
75 |
6 |
45 |
|
The
Baths of Caracalla –
the Caldarium (cf
No 81)
(Illustrated
in the Dickins Monograph but ex Chronological or
Manuscript lists) |
|
18½ x
15½ |
|
|
46 |
30 |
The
Atrium to the House of a Patrician * |
|
19
x 21½ |
60 |
8 |
47 |
31 |
A
Morning in the Forum, Rome |
|
20
x 24 |
50 |
8 |
48 |
|
Corner
of Westminster (c1915?) |
|
189
x 221 |
|
|
49 |
|
Pegasus (Only
in the Chronological list) |
|
7½ x
9½ |
|
|
1916 |
|
|
|
|
|
|
50 |
32 |
King’s
College, Cambridge * |
|
4
x 6 |
150 |
2 |
51 |
33 |
The
Colosseum, Rome
(No1 – a Fête Day)
(exterior) |
|
17½ x
15½ |
50 |
6 |
52 |
34 |
Egyptian
Temple. Morning of the Festival (Probably
an alternative title to “Antony in Egypt No2-A
Visit to the Temple of Isis”) (In the Chronological list only) |
|
20
x 19¾ |
67 |
8 |
1917 |
|
|
|
|
|
|
53 |
35 |
Regent
Street * |
|
4
x 5 |
126 |
3 |
54 |
36 |
La
Madelaine, Paris |
|
3
x 4 |
100 |
2 |
55 |
37 |
Piccadilly
Circus (night scene) |
|
4½ x
7½ |
12
? |
|
56 |
38 |
Patricians
in the Forum |
|
5
x 6 |
45 |
5 |
57 |
39 |
Arc
de Triomph (sic) * |
|
21¾ x
17¾ |
65 |
8 |
58 |
40 |
Piazzetta
San Marco
(illustrated in the Monograph captioned
as The Doge’s Palace) (View from the waterfront
with part of the Library, possibly c.1914) |
|
4
x 5 |
144 |
3 |
59 |
|
The
Lion of Belfort 1917
(Illustrated as Aux Défenseurs de Verdun in
the Monograph. In the Chronological List . Ex the
Manuscript list.) |
|
19¾ x
22¾ |
|
|
60 |
|
Mesopotamia AD
1917-1917 BC (An Assyrian war chariot) (Illustrated
in the Monograph but ex both the Chronological and in the Manuscript lists) |
|
|
|
|
1918 |
|
|
|
|
|
|
61 |
41 |
Holyrood
Palace
(Edinburgh ‘set’) |
|
3½ x
5 |
75 |
15
SET |
62 |
42 |
The
University
(Edinburgh ‘set’) |
|
4¼ x
3½ |
|
|
63 |
43 |
The
West End
(Edinburgh ‘set’) |
|
3
x 4¾ |
|
|
64 |
44 |
Parliament
Square
(Edinburgh ‘set’) |
|
3
x 4 |
|
|
65 |
45 |
Royal
Scottish Academy
(Edinburgh ‘set’) |
|
3¾ x
3 |
|
|
66 |
|
Princes
Street, Edinburgh
c.1918 (An
aerial view) (Unpublished
- only 1 proof inscribed épreuve unique WW) |
|
7¾ x
19½ |
|
|
67 |
46 |
Glasgow – Municipal
Buildings (Published by James
Connell, Glasgow) |
|
2½ x
4 |
|
|
68 |
47 |
First
Wooden Temple of Jupiter * |
|
5
x 7 |
75
UK
25
USA |
6 |
69 |
48 |
Emperor
Hadrian
entering Salonica * |
|
3¼ x
5 |
75
UK
75
USA |
4 |
70 |
49 |
Babylon |
|
13½ x
21¾ |
50 |
12 |
71 |
50 |
The
Forth Bridge (2nd state) (About
6 proofs in the 1st state) |
|
5¾ x
9 |
100 |
4 |
72 |
51 |
The
Temple of Baal |
|
8
x 11¼ |
50 |
6 |
73 |
52 |
A
Performance in the Colosseum |
|
20½ x
24½ |
|
15 |
74 |
53 |
Pax
(done as a Christmas card for the Architectural Assoc.and sent
out to members serving in the Forces) |
|
3
x 2¼ |
|
|
75 |
|
The
Sea |
|
|
|
|
1919 |
|
|
|
|
|
|
76 |
|
The
inimitable Lovers
(In the Chronological List,
ex Manuscript list) |
|
|
|
|
77 |
54 |
Forsyth’s
Factory, Cathcart, Glasgow
(Privately commissioned as a decoration for letterheads & cheques
and then issued courtesy of the clothing factory)
approx 24 + 15 WW Presentation proofs |
|
2½ x
8 |
|
4 |
78 |
55 |
Westminster
Abbey * |
|
3½ x
5 |
175
UK
75
USA |
4 |
79 |
56 |
Charing
Cross –
The Statue of Charles I * |
|
3½ x
5 |
175
UK
75
USA |
4 |
80 |
57 |
US
Battleship Delaware
in the Forth |
|
3½ x
4¾ |
125
UK
75
USA |
3 |
81 |
58 |
Baths
of Caracalla (Frigidarium)
(cf Nos 44 & 45) |
|
18½ x
23¼ |
51 |
10 |
82 |
59 |
Stadium
of Domitian * |
|
13½ x
22 |
153 |
15 |
83 |
60 |
St.
Peter’s, Rome (interior) |
|
6
x 7 |
211
UK
35
USA |
5 |
84 |
61 |
St.
Giles, Edinburgh |
|
3½ x
5 |
230
UK
20
USA |
6 |
85 |
|
The
Propylæa, Athens
(large
plate)
(Illustrated
in the Monograph but ex both the Chronolgical & Manuscript lists) |
|
|
|
|
86 |
|
Design
for the LCC War Memorial (c1919)
(with view of the Thames & St. Paul’s
through the archway) |
|
13¾ x
8¾ |
|
|
|
|
[From
1920 onwards the Dickins Manuscript list does
not record sizes – these are added where
known] |
|
|
|
|
1920 |
|
|
|
|
|
|
87 |
62 |
The
House of Sallust * |
|
151
x 202 |
250
UK
50
USA |
8 |
88 |
63 |
London
(+ 15 WW Presentation Proofs)
(Published
courtesy of the commissioner, the LCC) |
|
130
x 128 |
250
UK
50
USA |
|
89 |
64 |
The
Baptistry, Florence * |
|
132
x 120 |
340
UK
60
USA |
4 |
90 |
65 |
The
Doges’ Palace *
(Venice ‘set’) |
|
90
x 123 |
415 |
30
SET |
91 |
66 |
San
Marco
(Venice ‘set’) |
|
98
x 149 |
|
|
92 |
67 |
Library
of San Marco *
(Venice ‘set’) |
|
120
x 178 |
|
|
93 |
68 |
Hospital
of St. Mark
(Venice ‘set’) |
|
120
x 178 |
|
|
94 |
|
The
Ashmolean, Oxford *
(c1920) |
|
95
x 165 |
|
|
95 |
|
Piccadilly
Circus –
Rebuilding Swan & Edgars
(
c1920) |
|
133
x 203 |
|
|
1921 |
|
|
|
|
|
|
96 |
69 |
Ludgate
Hill * |
|
144
x 130 |
275
UK
125
USA |
5 |
97 |
70 |
Arc
St. Carlo, Naples * |
|
175
x 168 |
300
UK
100
USA |
5 |
98 |
71 |
Villa
Quintilii * |
|
180
x 253 |
300
UK
100
USA |
8 |
1922 |
|
|
|
|
|
|
99 |
72 |
The
Thames *
(Arteries of Great Britain) |
|
115
x 333 |
425 |
40
SET |
100 |
73 |
The
Tyne *
(Arteries of Great Britain) |
|
147
x 198 |
|
|
101 |
74 |
The
Forth *
(Arteries of Great Britain) |
|
91
x 261 |
|
|
102 |
75 |
The
Clyde *
(Arteries of Great Britain) |
|
99
x 268 |
|
|
103 |
76 |
The
Mersey *
(Arteries of Great Britain) |
|
approx
95
x 265 |
|
|
104 |
77 |
Newcastle
Central Station * |
|
97
x 148 |
300
UK
100
USA |
4 |
1923 |
|
|
|
|
|
|
105 |
78 |
York
Minster –
The West Front * |
|
140
x 190 |
250
UK
25
USA |
6 |
106 |
79 |
An
Egyptian Palace |
|
239
x 300 |
225
|
8 |
107 |
80 |
Liverpool –
The
Cunard Building |
|
95
x 157 |
150
UK
25
USA |
4 |
108 |
81 |
Durham
Cathedral |
|
168
x 202 |
175
UK
25
USA |
6 |
109 |
82 |
Entry
of a Consul |
|
19½ x
23¼ |
55
UK
25
USA |
15 |
110 |
83 |
Forty-second
Street NY
(New York ‘set’) |
|
126
x 188 |
24
UK
350
USA |
6 |
111 |
84 |
Battery
Park NY
(New York ‘set’) |
|
142
x 145 |
24
UK
350
USA |
6 |
112 |
85 |
Park
Avenue
(New York ‘set’) |
|
120
x 184 |
60
UK
315
USA |
6 |
113 |
86 |
Brooklyn
Bridge
(New York ‘set’) |
|
213
x 250 |
50
UK
315
USA |
9 |
114 |
|
Brooklyn
Bridge
(drypoint plate of middling size between his
other two plates of the bridge) |
|
210
x 450 |
|
|
115 |
|
The
Fountain |
|
|
|
|
116 |
|
Winchester
* |
|
125
x 155 |
|
|
117 |
|
Westminster
(West Front of the Abbey) * |
|
188
x 222 |
|
|
1924 |
|
|
|
|
|
|
118 |
87 |
Lower
Broadway -
Downtown NY *
(New York ‘set’) |
|
151
x 117 |
60
UK
315
USA |
6 |
119 |
88 |
Downtown
Manhatten
from the East River, with the Woolwoth
Building *
(Published
by Dickins, New York, perhaps a 6th plate of the New
York ‘set’ t subsequent to the Manuscript list) |
|
217
x 149 |
|
|
120 |
88 |
Whitehall
(with the Cenotaph)
(
London ‘set’ ) |
|
116
x 152 |
|
|
121 |
89 |
Strand
*
( London ‘set’ ) |
|
115
x 179 |
|
|
122 |
90 |
Trafalgar
Square *
( London ‘set’) |
|
91
x 183 |
|
|
123 |
91 |
Horseguards *
( London ‘set’ ) |
|
100
x 145 |
|
|
124 |
92 |
Piccadilly
Circus
(With the Criterion Theatre)
( London ‘set’ ) |
|
108
x 170 |
|
|
125 |
93 |
Bank
( London ‘set’ ) |
|
108
x 145 |
|
|
126 |
94 |
Chelsea
Old Church *
(A Print Collectors’ Club
Presentation Plate for 1924) |
|
95
x 149 |
100 |
|
127 |
95 |
A
Bull Fight, Seville
( Spanish ‘set' )
Presentation proofs initialled WW |
|
145
x 346 |
130
+15 |
|
128 |
96 |
Segovia
Bridge, Madrid
( Spanish ‘set' )
|
|
145
x 346 |
74 |
|
129 |
97 |
Burgos
Cathedral *
( Spanish ‘set' ) |
|
149
x 199 |
88 |
|
1925 |
|
|
|
|
|
|
130 |
|
Decadence
de l’Empire Romain |
|
|
|
|
131 |
|
The
Majesty of the Church |
|
|
|
|
132 |
|
Chiesa
del Gesu |
|
|
|
|
133 |
|
Carthage
(aka 'Romans at Carthage' ?) |
|
|
|
|
134 |
|
Sack
of a Sicilian Temple |
|
|
|
|
135 |
|
Justinian
weds Theodora
(Published by the FAS) |
|
16½ x
20½ |
|
|
136 |
|
Baths
of Caracalla
(Possibly
issued 1929) |
|
18
x 20 |
60 |
|
1926 |
|
|
|
|
|
|
137 |
|
Piccadilly
in Transition
(Perhaps the same as Rebuilding
Swan & Edgars - No94) |
|
|
|
|
138 |
|
St.
Peter’s, Rome (interior)
(published
by the FAS) |
|
24
x 30 |
|
|
139 |
|
Caesar
in Egypt * |
|
177
x 239 |
75 |
|
1927 |
|
|
|
|
|
|
140 |
|
Arc
de Triomphe, Paris
(Published
by the Fine Art Soc) |
|
24
x 28 |
75 |
|
141 |
|
Back
Entrance to
Saloman’s Palace
(Published
by the FAS) |
|
|
75 |
|
142 |
|
St.
John’s College, Oxford
(Published
by the FAS) |
|
22½ x
18¼ |
|
|
143 |
|
In
the Days of Justinian
(Published
by the FAS) |
|
18
x 23½ |
|
|
144 |
|
Temple
of Romulus *
(Published
by the FAS) |
|
17½ x
20¼ |
50 |
|
145 |
|
The
Basilica of Maxentius
(Also known as The Basilica of Constantine – the central nave)
(Published
by the FAS) |
|
12½ x
19½ |
75 |
|
146 |
|
New
York
(Aquatint Panorama with Brooklyn Bridge)
(Published
by the FAS) |
|
280
x 555 |
50 |
|
147 |
|
A
Venetian Festival
(also known as Venice in the
18th Century?)
(Published by
the FAS) |
|
7¼ x
20½ |
|
|
148 |
|
Rheims
Cathedral
(large plate) (Presumably
the same as Joan of Arc ?
see No 155) |
|
|
40? |
|
1928 |
|
|
|
|
|
|
149 |
|
Fishing
Boats, Venice
(Published
by the FAS) |
|
100
x 148 |
75 |
|
150 |
|
Kom
Ombo *
(Published
by the FAS) |
|
161
x 205 |
75 |
|
151 |
|
Caravan *
(Published
by the FAS) |
|
177
x 230 |
75 |
|
152 |
|
Antony’s
Palace *
(Published by
the FAS) |
|
171
x 283 |
75 |
|
153 |
|
Temple
of Edfou *
(Published
by the FAS) |
|
13¾ x18¼ |
75 |
|
154 |
|
Hall
of Karnac
(Published
by the FAS) |
|
22
x 25¾ |
75 |
15 |
155 |
|
Joan
of Arc (See No 147)
(Published
by the FAS) |
|
24
x 28 |
75 |
15 |
156 |
|
Illustrations
to Hérodias by Gustave Flaubert
(Published
Paris by Editions d’Art Devambez)
(Series of 17 etchings + 4 not used) |
|
12½ x
11 |
17
+ 4 |
|
1929 |
|
|
|
|
|
|
157 |
|
St.
Mary-le-Strand
(Published
by the FAS) |
|
6¼ x
11¾ |
75 |
6 |
158 |
|
Anthony
(Published
by the FAS) |
|
19½ x
23½ |
50 |
15 |
159 |
|
Air
Street
(Published
by the FAS) |
|
29½ x
21½ |
30 |
15 |
160 |
|
King
Charles in Whitehall * |
|
148
x 199 |
|
|
1931 |
|
|
|
|
|
|
161 |
|
National
Gallery, London |
|
165
x 302 |
|
|
162 |
|
Freemasons’ Hall,
London
(erected 1927-33) |
|
375
x 333 |
|
|
163 |
|
Fleet
Street *
(Commissioned by F.H.Crittall
) |
|
161
x 226 |
|
|
164 |
|
Marble
Arch, London * |
|
|
|
|
165 |
|
Piccadilly
Circus, London
(Possibly
the same as the following item?) |
|
|
|
|
166 |
|
‘Eros’ re-erected
in Piccadilly after its temporary removal
(See
previous item) |
|
5¼ x
5½ |
|
|
1932 |
|
|
|
|
|
|
167 |
|
The
Thames – From Southwark Bridge looking
East
(Commissioned by F.H.Crittall) |
|
151
x 301 |
|
|
1933 |
|
|
|
|
|
|
168 |
|
Trafalgar
Square |
|
162
x 300 |
|
|
169 |
|
The
Circus (Piccadilly)
(Commissioned
by F.H.Crittall) (Etched signature in the plate) |
|
7
x 7¾ |
|
|
170 |
|
Cornhill
and
the Royal Exchange |
|
178
x 199 |
|
|
171 |
|
Piccadilly
Circus & Glasshouse Street * |
|
248
x 314 |
|
|
1934 |
|
|
|
|
|
|
|
|
Three
plates for The Pageant of Ludlow (Performed 1934)
Published privately to subscribers by J. Walcot Burton,
comprising:- |
|
199
x 238 |
51 |
|
172 |
|
The
British chief Caractacus a prisoner before the
Roman General Osterius in 50 AD |
|
|
|
|
173 |
|
The
Trial of David III before Edward I, Parliament
of Shrewsbury, 1283 * |
|
|
|
|
174 |
|
The
departure of the boy King Edward V from Ludlow
for London in 1483 |
|
|
|
|
1935 |
|
|
|
|
|
|
175 |
|
Corner
of Berkeley Square
(Possibly a Sir V. Crittall commission) |
|
138
x 217 |
|
|
1936 |
|
|
|
|
|
|
176 |
|
Marsham
St., Westminster *
(Commissioned by Sir V. Crittall) |
|
175
x 252 |
|
|
177 |
|
Illustrations
to Salammbô by Gustave Flaubert. Published
by Editions d’Art Devambez |
|
12½ x
10¼ |
200 |
|
178 |
|
Changing
London – Euston Rd at St Pancras *
(Commissioned
by Sir V.Crittall) |
|
161
x 250 |
|
|
1938 |
|
|
|
|
|
|
179 |
|
The
Quadrangle, Barts
(Commissioned by Sir
V.Crittall) |
|
153
x 253 |
|
|
|
|
|
|
|
|
|
|
|
Additional
subjects
of unknown date |
|
|
|
|
180 |
|
Constantinople |
|
5½ x
13½ |
|
|
181 |
|
Head
of a Roman Emperor |
|
2¾ x
3½ |
|
|
182 |
|
The
Stadium
(ancient Roman reconstruction)
(Etched
by 1920) |
|
11½ x
24 |
|
|
183 |
|
Ancient
Egypt – Sphynx’s Head and the Pyramids |
|
240
x 180 |
|
|
184 |
|
Solomon’s
Palace
(Might be identical
to No 141) |
|
186
x 292 |
60 |
|
185 |
|
Venetian Capriccio |
|
9½ x
23 |
50 |
|
185a |
|
Venice – Courtyard
of the Doge’s Palace * |
|
108
x 103 |
50 |
|
186 |
|
Vicenza
*
(Corner of Palladio’s Basilica
in the Piazza dei Signori) (c1925) |
|
118
x 98 |
|
|
187 |
|
Paris
Opera * |
|
126
x 177 |
|
|
188 |
|
Place
Vendôme, Paris |
|
98
x 145 |
|
|
189 |
|
The
Thames
with Blackfriars Bridge
(Unpublished) |
|
89
x 234 |
|
|
190 |
|
St
Paul’s Churchyard * |
|
166
x 203 |
|
|
191 |
|
The
Bank of England |
|
9
x 12 |
|
|
192 |
|
The
Bank |
|
3½ x
4 |
20 |
|
193 |
|
The
Mansion House |
|
5
x 5¾ |
|
|
194 |
|
Portland
Place
(showing the RIBA / Architectural Association
headquarters) |
|
150
x 238 |
|
|
195 |
|
Piccadilly
Circus and Regent Street |
|
245
x 395 |
16 |
|
196 |
|
St.
Martins-in-the-Fields |
|
124
x 151 |
|
|
197 |
|
National
Gallery & St. Martin’s-in-the-Fields
* |
|
80
x 112 |
|
|
198 |
|
Banqueting
House, Whitehall * |
|
202
x 286 |
|
|
199 |
|
Pall
Mall |
|
9¾ x
16½ |
|
|
200 |
|
Westminster
Bridge * |
|
162
x 300 |
150 |
|
201 |
|
The
Thames at Westminster
(View of the Houses
of Parliament) |
|
|
|
|
202 |
|
Horseguards |
|
19¾ x
22¾ |
|
|
203 |
|
Somerset
House from the South Bank |
|
4½ x
13 |
|
|
204 |
|
Liverpool,
Landing Wharf and Royal Liver Building |
|
2½ x
6 |
|
|
|
|
|
|
|
|
|
|