A
serendipity of prints priced under £250
This
link: Prints
Under £250 (1), will
allow you to view the selected prints from
the
previous series of Prints
Under £250
Other
prints priced under £250 appear elsewhere
throughout the website .
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also :
Click
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selection. Images are not at very high resolution.
If
you require further information on any
print featured here, please contact
us. When
a print has been sold it will be marked
as Sold.
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ALLART VAN EVERDINGEN
Alkmaar 1621 – 1675 Amsterdam
Everdingen spent his formative years, 1640-44, in Norway and Sweden as inspector
of mines for the Amsterdam merchant family the van Trips.
Studies
he made in these years formed the basis of
most of the paintings and etchings he made
on his return to Holland.
Landscape
with a Millstone by a Cask
Bartsch 9;
Hollstein
9 iii/iii
127 x 108 mm
Original
etching, the plate signed.
A later impression
on laid paper with part of an unidentified
watermark. Trimmed to the platemark, plate
border all round. Good condition.
£235
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EUGENE ISABEY
Paris 1803 – 1886 Paris
Eugène Isabey, son of the artist Jean Baptiste, made a few experiments in lithography in the late 1820’s and in 1830 was invited to contribute to the parts series Croquis
par Divers Artistes (Sketches by various Artists), a joint venture by the publishers Rittner and Goupil in Paris and Tilt in London.
Of
the thirteen lithographs Isabey drew for
this series nearly all concerned boats and
the sea. The series was very popular and
was re-issued several times in later decades.
(Boats
at Anchor in a Port)
Croquis par divers Artistses
No.70
Curtis 22 ii/v
164 x 214 mm (image/borderline);
214 x 286 mm (sheet)
Original
lithograph, 1830.
Lettered
beneath the image with Isabey’s name.
First edition, second issue, the name of the printer Lemercier removed (there would be three subsequent editions from later publishers).
A good rich impression, on wove paper.
£200
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CHARLES WATSON R.E.
Norwich
1846 – 1927
Watson took up etching probably in the late 1860’s.
Norwich
artists at the beginning of the 19th century
had been amongst those regional practitioners
who had anticipated the mid-century etching ‘revival’.
Watson
was an early member of the R.E., exhibiting
from the first exhibition in 1881. Around 1888
he moved to London.
Up
and Down in St Lawrence, Norwich
140 x 203
mm
Original
etching, 1885.
The plate inscribed St Lawrence
Steps, signed and dated.
Signed in pencil
and dated. On stout buff wove.
Offered together
with an original label hand written in ink
by Watson.
£150
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DANIEL STASCHUS
Girreningken,
East Prussia 1872 – 1953
Staschus studied at the Academy of Arts in Königsberg 1887 to 1894, before he and his wife settled in Munich.
He
was one of the principal colour woodcut artists
in Munich at the period.
Landscape
with a Grove of Trees
140 x 179 mm
Original
colour woodcut, c.1900.
The block signed
with the monogram.
Signed in pencil at the
top left inside the borderline.
On thin japan,
trimmed to the borderline.
Some creases.
Sold
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GRETA DELLEANEY A.R.E.
London 1884 – 1968 Cheltenham
Greta
Delleaney trained at Westminster
School of Art and at the R.A. Schools with
Sickert. She
was active as an etcher in London till the
1940’s,
exhibiting from 1913. After the Second World
War she moved to Cheltenham, and assisted
at Cheltenham Art School.
Waiting (Hastings
beach?)
104 x 125 mm
Original
drypoint, c. 1920.
Signed in pencil and entitled.
Printed on wove paper.
Sold
Delleaney
made a number of related drypoints, one of
which she entitled Art Students, Hastings.
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HAROLD JONES
Romford 1914 – 1992
Jones
worked as a farmhand before taking up art
and attending the Goldsmiths College School
of Art from 1921 and the Royal College of
Art 1924-28.
A
painter and printmaker, in the 1930’s he took up book illustration, and book design, for which he is best known.
Washing
Day
201 x 149 mm
Original
etching, c.1928.
The plate signed.
Also signed
in pencil, in the lower plate border.
On
wove paper.
£150
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